Joan of Arc, was painted by the French realist  mechanic Jules Bastien-Lepage in 1879.  later on the province of Lorraine was  broken to Germany following the Franco-Prussian War in 1821, The Frenchmen  truism in Joan of Arc a new and  unchewable symbol. In 1875, Bastien-Lepage, a native of Lorraine began to make studies for a picture of her. In the present  movie, exhibited in the Salon of 1880, Joan is shown receiving her revelation in her p atomic number 18nts garden. Behind her are Saints Michael, Margaret, and Catherine. (Caption next to  photo in The Metropolitan) Jules Bastien-Lepage creates a  vivid atmosphere, including a supernatural, religious-like presence   within his painting. Oil on canvas was  uptaked to create the realistic quality of the work. By  fast examining the artists technique, it is clear that he uses  slight brush strokes in a  honest to life manner. The colors, and use of light seem to be painted in a layered fashion to give the landscape a  adept of depth   . The  stage setting of the painting is a garden which  complicate foliage and brush that surrounds the primary  revolve around of the painting, Joan of Arc. The artist put a great effort into the details of the scene. Bastien-Lepage uses a distinct realistic quality in his painting which is  palpable in each individual foliation and branch. Various hues of  res publica tones, green and brown being the most evident, are blend  together in the garden scene. In the foreground of the painting is Joan of Arc. She is painted with a seemingly thicker paint technique. This makes her a to a greater extent easily visible aspect in the painting, and catches the onlookers eye. Joan is  urbane in a long brown skirt and blue-gray  clothe with  snowy underneath which is the typical  array style of the nineteenth century. The clothing is painted to show...                                        If you want to get a  dear essay,  revise it on our website: Orde   rCustomPaper.com
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